Cable Car
Visitors at the Grundy Art Gallery could operate the cable car for 10p.
Collaboration with Stefan Schweiker.
MUPPET SHOW
The gallery becomes a film studio to shoot new episodes of the Muppet Show.
MUPPET SHOW (2)
Kermit takes on the role of a curator, hopelessly trying to put together an exhibition.
MY PENIS IS AS BIG AS MY PAINTINGS
With the help of friends and visitors, a giant papier mache penis is constructed in the gallery space.
MY PENIS IS AS BIG AS MY PAINTINGS (2)
All helpers get free beer. The papier mache is made out of art magazine interviews with male artists.
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME
Artists of all career stages are invited to give presentations about how they fund their art.
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (2)
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (3)
STUDIO (1)
My studio is set up in the exhibition space.
STUDIO (2)
The entrance to the studio is guarded by a cardboard box. I sit in the box and decide who is allowed to enter and who isn't. This decision is based on absurd questions and random requirements.
STUDIO (3)
I serve pretzels and coffee to the lucky visitors who are allowed to go in.
WHERE IS THE WORK
A small kiosk is set up in the exhibition space. A gallery employee sits in it during the opening times of the exhibition, hands out maps that show the current location of my studio and encourages visitors to go there.
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1
MUPPET SHOW
The gallery becomes a film studio to shoot new episodes of the Muppet Show.
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2
MUPPET SHOW (2)
Kermit takes on the role of a curator, hopelessly trying to put together an exhibition.
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3
MY PENIS IS AS BIG AS MY PAINTINGS
With the help of friends and visitors, a giant papier mache penis is constructed in the gallery space.
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4
MY PENIS IS AS BIG AS MY PAINTINGS (2)
All helpers get free beer. The papier mache is made out of art magazine interviews with male artists.
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5
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME
Artists of all career stages are invited to give presentations about how they fund their art.
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6
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (2)
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7
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (3)
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8
STUDIO (1)
My studio is set up in the exhibition space.
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9
STUDIO (2)
The entrance to the studio is guarded by a cardboard box. I sit in the box and decide who is allowed to enter and who isn't. This decision is based on absurd questions and random requirements.
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10
STUDIO (3)
I serve pretzels and coffee to the lucky visitors who are allowed to go in.
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11
WHERE IS THE WORK
A small kiosk is set up in the exhibition space. A gallery employee sits in it during the opening times of the exhibition, hands out maps that show the current location of my studio and encourages visitors to go there.
Collaboration with Maria Guggenbichler.
The CIARA PHILLIPS Pizza
November 2013
The CIARA PHILLIPS Pizza
November 2013
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The - Pizza
We made a pizza for somebody whose work we like, every month from 2013 - 2016.
The pizza was named after our guest who also got to choose the toppings.
Collaboration with Hannah Clayden and Mario D'Agostino.
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The Judy Collection
Commissioned by Trish and Dan Scott for We Know What We Like and We Like What We Know.
A Team B Team
messy podcast recorded behind the bar of Company Drinks during an art fair. It features crudely edited yet entertaining conversations with Laura Dee Milnes and Cam Jarvis plus bits of bar chat about "the superstructures that make it impossible for people at the lowest end to survive and at the top end to care." In between, you can hear all the songs from Molejoy's first LP '”I HATE IT BUT IT'S FREE”. Bonus content: A rosemary cordial recipe from Shaun Tuck and the chickens at Glengall Wharf Community Garden.
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Crisis Communication
Exhibition at Kunsthalle Osnabrück
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"In the wake of the coronavirus pandemic, which significantly influenced the planning of the exhibition, Rosalie Schweiker decided to share her visibility, as well as her budget, with other cultural producers: Teresa Cisneros, Joon Lynn Goh, Sahra Hersi, Kerri Jefferis, Jean Joseph, Sarah Jury, Sofia Niazi, Rose Nordin, Lisa Rahman, Nicola Singh and Sam Whetton.
Their conversations and artistic collaborations resulted in prints that could be collected in a booklet by the visitors to take home, linking the public sphere with the private space.
In collaboration with Rosalie Schweiker, the Kunsthalle also
built a chicken coop in the courtyard. The care for the chickens was shared between the team of the Kunsthalle. Visitors and neighbours had the opportunity to pick up the eggs free of charge."
"Rosalie Schweiker gave private tarot readings in the gallery’s AV store room, embracing unorthodox knowledge for speculating on the future. Schweiker’s work is marked by a playful probing of social regulations, of personal encounters and frequently, a sense of confusion. Her custom-made tarot deck is no exception."
This Is Tomorrow review of Tarot Readings at They Are Here's Precarity Centre.
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Work
Since 2009, I've made an annual publication about a year's worth of work & life.
The publications are usually cheaply produced and gifted to friends and collaborators. Some are still available to buy at book fairs and in my online shop.
Tarot readings
Collaboration with Jo Waterhouse.
