Rosalie Schweiker / Mondays are her art days.

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Something Different

Crisis communication

How To Have Fun

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MUPPET SHOW

The gallery becomes a film studio to shoot new episodes of the Muppet Show.

MUPPET SHOW (2)

Kermit takes on the role of a curator, hopelessly trying to put together an exhibition.

MY PENIS IS AS BIG AS MY PAINTINGS

With the help of friends and visitors, a giant papier mache penis is constructed in the gallery space.

MY PENIS IS AS BIG AS MY PAINTINGS (2)

All helpers get free beer. The papier mache is made out of art magazine interviews with male artists.

NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME

Artists of all career stages are invited to give presentations about how they fund their art.

NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (2)

NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (3)

STUDIO (1)

My studio is set up in the exhibition space.

STUDIO (2)

The entrance to the studio is guarded by a cardboard box. I sit in the box and decide who is allowed to enter and who isn't. This decision is based on absurd questions and random requirements.

STUDIO (3)

I serve pretzels and coffee to the lucky visitors who are allowed to go in.

WHERE IS THE WORK

A small kiosk is set up in the exhibition space. A gallery employee sits in it during the opening times of the exhibition, hands out maps that show the current location of my studio and encourages visitors to go there.

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MUPPET SHOW

The gallery becomes a film studio to shoot new episodes of the Muppet Show.
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MUPPET SHOW (2)

Kermit takes on the role of a curator, hopelessly trying to put together an exhibition.
3
MY PENIS IS AS BIG AS MY PAINTINGS

With the help of friends and visitors, a giant papier mache penis is constructed in the gallery space.
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MY PENIS IS AS BIG AS MY PAINTINGS (2)

All helpers get free beer. The papier mache is made out of art magazine interviews with male artists.
5
NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME

Artists of all career stages are invited to give presentations about how they fund their art.
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NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (2)
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NO INCOMES WITHOUT OUTCOMES, NO OUTCOMES WITHOUT INCOME (3)
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STUDIO (1)

My studio is set up in the exhibition space.
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STUDIO (2)

The entrance to the studio is guarded by a cardboard box. I sit in the box and decide who is allowed to enter and who isn't. This decision is based on absurd questions and random requirements.
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STUDIO (3)

I serve pretzels and coffee to the lucky visitors who are allowed to go in.
11
WHERE IS THE WORK

A small kiosk is set up in the exhibition space. A gallery employee sits in it during the opening times of the exhibition, hands out maps that show the current location of my studio and encourages visitors to go there.